ON A bright June day in Liverpool in 1977, hundreds of trade unionists and socialists took part in a march to rally at the final resting place of Robert Noonan – known more popularly as Robert Tressell, author of The Ragged Trousered Philanthropists.
In a rough, weed-choked field opposite Walton Jail we gathered to unveil a marble plaque to mark the grave. This wasteland held the bones of over 1,000 ’paupers’, their bodies wrapped in canvas bags, stitched up by former inmates of the jail, and cast into mass graves.
Local activists had located the grave of Robert Noonan, plus the names of the 12 others interned with him, and all had been etched into the black stone. In a Liverpool workhouse (after 1949 a hospital) Robert had died of tuberculosis at the age of 40 in 1911.
Why this homage to Robert Noonan? He was a member of the Marxist Social Democratic Federation, but as far as we know he did not lead any mass campaign or strike. He wrote only one book, a novel about working-class life prior to the First World War.
Shortly after I joined the Young Socialists a worn copy of The Ragged Trousered Philanthropists was pressed into my hand with the recommendation that I may find it a good read. An understatement if ever there was.
Turning the pages one was drawn into the tale, of a year in the life of an Edwardian town in southern England. The book revealed how the capitalist system rules and exploits workers.
It’s an accurate historical account of the lives of working people, and more, a condemnation of the horrors of capitalism, a comprehensive explanation of how the system works, and the need for a socialist alternative.
Robert Tressell speaks through the ’hero’ Owen, a building worker, describing incidents and characters that any worker could relate to today. The "Philanthropists" are the workers willing to work for the "good cause" of giving their unpaid labour to the "masters" – the bosses’ profits.
Casualisation, bullying bosses, low pay, poor housing, debt, unemployment, and the regular humiliations endured by working people throughout their lives, are all graphically depicted by Robert. The overwhelming impression is of a book written by, not just a well-placed observer, but as Noonan puts it "the story of twelve months in Hell told by one of the damned".
ROBERT WROTE his novel between 1905 and 1908 but despaired of having it printed as publisher after publisher rejected the manuscript. After Robert’s death his daughter Kathleen managed to sell the manuscript, for £25, to its first publisher, Grant Richards, who described it thus: "The book was damnably subversive but it was extremely real".
Unfortunately the first edition, 1914, and in subsequent editions, the novel was much hacked about and shortened, and given a depressing ending with Owen contemplating the killing of his family and his own suicide!
Fred C. Ball, Noonan’s biographer, tracked down the original manuscript and eventually, in 1955, the first unabridged edition came off the presses and with Robert’s uplifting final chapter restored.
Throughout the novel are various episodes where Owen explains the real workings of capitalism to his workmates and argues the need for socialism. These explanations are not ’forced’ for the writer’s skills for dramatic effect make these scenes feel natural and as parts of a seamless whole.
The Money Trick, Chapter 21, gives a lucid and as straightforward an introduction to Marxist economics as any. It is made memorable by its humorous treatment and the realistic portrayal of the behaviour of the characters involved.
One charge sometimes laid against the book is of being biased to men and their workplaces, that the women receive a lesser treatment. But as early as Chapter 3 Tressell shows Ruth Easton as being more able than her husband in managing the household budget – a greater insight of the economics of capitalism which enables them to survive.
In Chapter 6 it is Nora Owen, in conversation with her young son, who from a socialist perspective describes capitalism and the problems to be overcome in changing it.
The "Philanthropists" lack feelings of class solidarity and the novel is hazy about how they may attain class consciousness to forward the struggle for socialism. Occasionally the idea of the impoverished masses driven by their wretched conditions to overthrow the capitalists in a bloody uprising is proffered, at others an appeal to "reason", to vote for Revolutionary Socialists.
Owen’s ’lectures’ of course mirror the socialism of his day, a convincing analysis of capitalism coupled to the drawing of a wonderful vision of a socialist future, but somewhat vague as regards the transition between.
Only months after Robert Noonan’s death Liverpool was in the grip of a general strike. 80,000 workers fought police and soldiers in the August demonstration known as "Bloody Sunday". To the journalist Gibbs – the strike was "…as near to revolution as anything seen in England."
Only those carts and goods could move freely that had permits from the strike committee. Posters and leaflets declaiming "Socialism is the answer to Capitalism" went up in the city. In the following local elections Labour representation gained a successful foothold in a city where politics had been deeply marked by religious sectarianism.
But for Noonan’s tragic and untimely death, and given his powers of observation and description, a worthy sequel to The Ragged Trousered Philanthropists may have been written – depicting working people awakened by great events, realising their capability to challenge the "masters" and to change society.
From The Socialist, paper of the Socialist Party, CWI England and Wales